meal

Blackstrap-sour cream cornbread. New Haven, 2013.

Blackstrap-sour cream cornbread. New Haven, 2013.

The family story is somewhat apocryphal. My paternal grandfather and mother lived in Rutherfordton, North Carolina. Grandpa Young was an electrician; Grandma Young, also called Grandma Tutu, ran a beauty salon. One evening,  Grandma was too tired to fix anything for supper. She put out what she had on hand, which was some slices of cornbread and a glass of milk, in front of Grandpa. He complained about the poor meal. Grandma didn’t say a word, but for the next six meals after that, she put out nothing but cornbread and milk. Grandpa didn’t complain about her table again.

When I first moved to Korea, the only breads the bakeries there sold were either loaves of white bread so insubstantial and over-sweetened they were like a wheat version of cotton candy spun in a rectangular frame, or “chestnut bread” which was the same but with embedded chunks of steamed chestnut. Gradually, multi-grain breads, “rice” breads, and even artesian breads in the big cities appeared, but for that first year the only bread I could find that came close to appetizing was cornbread. The small, flat, patty-shaped loaves were dry with a thin glazed crust. They never stirred the baking powder in properly, so while I ate I would wince at the sudden grab-drying taste of powder pockets bursting in my mouth. That cornbread was also too sweet; but it was, in a foreign country and a small rural town that didn’t even sell real coffee, not bad.

Kitchens in Korea don’t have ovens. They steam their “traditional” breads, their stuffed buns and their rice-cakes. No leavening, no yeast; no ovens. In the nearly nine years I lived there, I ached for ovens and the food that comes from them. Not just breads and cakes, but casseroles, baked potatoes with crispy skins, vegetables roasted with herbs and oil. It wasn’t that I had been a great or enthusiastic cook before Korea, it was simply that I realized only after it was gone how central the oven was to my understanding of and taste for food. I have had spells of infatuation with the oven, though. For awhile in elementary school I baked a lot of muffins. I even started to do cakes. I remember a particularly difficult chocolate bundt cake with fudge frosting. I had forgotten to grease the cake mold, and I had to scrape the cake out in chunks. Fortunately, fudge makes an excellent putty, and I managed to hide the Frankencake nature of the thing under generous layers of frosting.

In the temples I used to daydream about what I would replace the Korean-style altar offerings with, if I were doing ceremonies in America. Home-made cakes and cookies instead of steamed glutinous rice cake; bread instead of rice, overflowing bowls of fruit instead of the geometric pyramids and columns. Last weekend I baked cookies for lunar new year’s. I stacked the first three cookies out of the oven into a little pagoda and put it front of the Buddha, along with an acorn squash, a pile of apples, a hand of bananas, dried cranberries, and Tollhouse chocolate chips. If one aspect of sincere generosity is to give that which you yourself would enjoy, well: that was a moment of deep sincerity for me.

My sister sent me some recipes to try now that I’m back; one was a cornbread recipe. She warned me, “This isn’t health food! …But it’s so good.” The recipe called for sour cream and sugar, but at the last minute I decided to try blackstrap molasses as a sweetener instead. The batter seemed a little runny, so I also tossed in an extra handful of flour and cornmeal, and took the strangely heavy pan up to the oven on the Center’s second floor.

The bread that came out was dark gold and smelled sweet. I chewed my nails for the twenty minutes the bread was cooling, knowing I’d regret slicing into it early but also hungry, and curious. What bread had I made? When I did cut a slice, it was moist and thick, a little crumbly like cornbread should be. Despite all the dairy already in the bread, I loaded three gold-brown squares with butter and ate them with relish. The molasses has a slightly bitter taste, recalling the old bursts of soda from that Korean cornbread without the feeling of aversion that accompanied the latter. Eventually I got up and made greens and heated soup to round things out; but for a moment, eating the first bread I’ve baked in over a decade, I was completely full, with nothing else needed. I thought, I’d like to see a loaf of this on the altar next new moon. I thought, I’d like to take some to my classmates. All the lessons I learned in ritual and giving, in a country and culture as far removed from the tables of my Grandma and Mom as can be, are coming home in our recipes and manners. Baking brings me back, not just to the personal narrative of our family about bread, baking, and women, but also into the greater cultural sweep of America and the West. Lands That Bake! The People Who Bake Cornbread! The idea is hokey but also poignant to me as a returned expatriate, once marooned on the shores of The Lands Which Did Not Bake.

Cornbread didn’t make a meal in Grandpa’s eyes. It’s a funny story, saying less about cornbread than my grandma’s determination to make her point and my grandpa’s probably reluctant capitulation to it. I like how cornbread’s at the physical center of the story, though, and I wonder what Grandpa would have made of the many meals I ate in Korea consisting of poor cornbread and a cappuccino milk, eaten in haste between my first apartment and the small cram school I taught at. Those strange yellow loaves were little like the rich brown bread I made tonight, and perhaps it is only the contrast between the two that allows me to say that yes, it is meal enough. It is, in so many ways, meal enough.

new year’s resolutions: sing

I heard it in my mind, sing. That one syllable. It was command and plea.

Shadow and light, cemetery walk

I didn’t sleep well for several nights. The days were full of dreaming, and sleep felt so empty afterward. Over brunch, I told a friend he was Homer, witnessing through art. What you do is bring the intangible into the material world, help us connect with ourselves I said but didn’t feel like I made any sense, sleep-deprived and strung out on coffee. He told me about the man whose apartment had been flooded then looted after Sandy out on Coney Island. The man asked him to photograph his few remaining momentos then told him, You saved my life with that camera. The photographer talked about the shock of the destruction, how it looked like the outskirts of Katmandu or the villages of Bhutan, no electricity, the stores empty, shorn of goods, people who were already pushed to the edge of the city now pushed to the edge of the American mind. Out of sight: so he made photographs.

I walked in the cemetery today, among the dead, their headstones, their tombs. In Memoriam writ again and again, a litany. Both command and plea.

Sidewalk and sticks, cemetery walk

Among the brave and honored dead was something I heard somewhere once. I can’t remember who whispered that refrain. In the cemetery, fresh flags were staked in the muddy, winter-tattered ground. Is that song enough? A young man, barely 18, a patch reading Perez on his Army uniform, sat behind me on the plane. He talked with his seat mates about being deployed to Afghanistan soon and I wanted to cry. When we deplaned, I leaned over, whispered, Come home safe. Oh child.

But what (oh what) about dishonor, the shame the living must bear for the dead who, in life, we did not honor but ignored, abused, turned away from? Here I mean rape, the violence we term domestic as if it were something categorically, rather than simply relationally, different than other forms of violence. War violence is so obvious, it is brutal and overwhelming and we shy away. Violence, called domestic, is too close and intimate, and we shut our eyes, unwilling to see. Women are given as loot, so much prized flesh, all through the Iliad. Rhetorical question: what should I think of Homer’s heroes and brave warriors now? Bravery, what an irony, what a slip of the tongue. What a mean and vicious barb in this already-wounded flesh.

Shadow and light, cemetery walk 2

Skin cracks in winter’s dry cold. Physician, heal thyself? The teacher said at our informal meeting How can we expect to heal the wounds of Afghanistan or Iraq if we aren’t willing to help heal our neighbors? We nodded, knowing we couldn’t imagine what sacrifice would be required of us but committing nonetheless. Submit, obey! cry the gods again and again. And we do, never certain which god now commands, whose prophet now pleads.

Reflected light off of a black desk

I sing in the empty house, sing on the sidewalks when I go along them alone. I used to hum in seminary and my sisters would smile and say You must be in a good mood and I would have to disabuse them of the romance and say:

No. I sing to relieve the pain.